When you pick up The Score, the third book in Elle Kennedy’s Off-Campus series, you’re likely expecting a light, steamy college romance centered around a hockey player. And that’s largely what you get—but with some notable bumps along the ice. The story follows Dean Di Laurentis, a charismatic but commitment-phobic hockey star, and Allie Hayes, a senior struggling with post-graduation uncertainty. Their relationship starts as a casual hookup, but as with most romances, feelings complicate the arrangement.
In real-world usage, this book is best consumed in short, relaxed reading sessions—on a commute, during lunch breaks, or as a wind-down before bed. It’s not the kind of novel that demands intense focus; the prose is straightforward, and the plot moves predictably. Readers who enjoy sports-themed contemporary romance with a mix of humor and emotional beats will find it fits the genre comfortably. The pacing is consistent, with alternating perspectives that give both characters room to develop, though Dean’s voice can feel repetitive at times.
Key functional features include the dual point-of-view narration, which is a standard but effective tool in romance novels. It allows the reader to see both Dean’s playboy facade and his underlying insecurities, as well as Allie’s vulnerability and determination. The dialogue is snappy, and the banter between characters is one of the book’s stronger points—it feels natural and keeps the energy up. The setting at a fictional university in Massachusetts adds a familiar backdrop for anyone who’s read campus-based romances, and the hockey team dynamics provide a sense of community that grounds the story.
However, there are clear limitations. The male lead, Dean, is written as a stereotypical “manwhore” who undergoes a redemption arc, but his past behavior can make it hard to root for him early on. His casual treatment of women and his initial reluctance to commit may turn off readers who prefer more respectful love interests. Additionally, the conflict in the second half relies heavily on miscommunication and Allie’s indecision, which feels drawn out. The resolution comes too neatly, wrapping up character growth in a way that seems more convenient than earned. Compared to other series in the same vein—like Jamie McGuire’s Maddox Brothers or Sarina Bowen’s Brooklyn Bruisers—The Score is less emotionally complex and leans more on trope familiarity than fresh storytelling.
Another trade-off is the balance between romance and character development. While the chemistry between Dean and Allie is palpable, the book sacrifices deeper exploration of Allie’s career anxieties for more steamy scenes. Readers looking for a story that tackles real-world post-college pressures might find it lacking. The supporting characters from previous books in the series appear briefly, which is nice for continuity but can feel like fan service if you haven’t read the earlier installments.
Who is this book for? It suits readers who enjoy contemporary romance with a sports setting, don’t mind flawed male leads, and want a quick, entertaining read without heavy emotional weight. It’s ideal for fans of the Off-Campus series who want to see another couple’s story, or for those who liked Kennedy’s style in The Deal or The Mistake. On the other hand, it may not appeal to readers who prefer slow-burn romances with more realistic pacing, or who are sensitive to casual misogyny in character behavior. If you’re looking for a novel that challenges romance tropes or offers nuanced relationship dynamics, this likely won’t satisfy.
Ultimately, The Score is a competent entry in its genre—it delivers what it promises, but doesn’t exceed expectations. It’s a solid choice for a lazy afternoon, but don’t expect it to linger in your mind long after the last page.